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T"H @@@B@Bhj  @ T"H @@@B@Bhj  A T"H @@@B@Bhj  B T"H @@@B@Bhj  C T"H @@@B@Bhj  D T"H @@@B@Bhj  E T"H @@@B@Bhj  F T"H @@@B@Bhj  G T"H @@@B@Bhj  H T"H @@@B@Bhj  I T"H @@@B@Bhj  J T"H @@@B@Bhj  K T"H @@@B@Bhj  L T"H @@@B@Bhj  M T"H @@@B@Bhj  N T"H @@@B@Bhj  O T"H @@@B@Bhj  P T"H @@@B@Bhj  Q T1"H @@@B@B hj  R T1"H @@@B@B hj  S T1"H @@@B@B"" hj    T Tg "H @@@B@B"" hj    U Tg "H @@@B@B"" hj    V Tg "H @@@B@B"" hj    W Tg "H @@@B@B"" hj    X Tg "H @@@B@B"" hj    Y Tg "H @@@B@B"" hj    Z Tg "H @@@B@B"" hj    [ Tg "H @@@B@B"" hj    \ Tg "H @@@B@B"" hj    ] T1"H @@@B@B"" hj    ^ T"H @@@B@B hk _ T"H @@@B@Bhk  ` T"H @@@B@Bhk  a T"H @@@B@Bhk  b T"H @@@B@Bhk  c T"H @@@B@Bhk  d T"H @@@B@Bhk  e T"H @@@B@Bhk  f T"H @@@B@Bhk  g T"H @@@B@Bhk  h T"H @@@B@Bhk  i T"H @@@B@Bhk  j T"H @@@B@Bhk  k T"H @@@B@Bhk  l T"H @@@B@Bhk  m T"H @@@B@Bhk  n T"H @@@B@Bhk  o T"H @@@B@Bhk  p T"H @@@B@Bhk  q T"H @@@B@Bhk  r T"H @@@B@Bhk  s T"H @@@B@Bhk  t T"H @@@B@Bhk  u T"H @@@B@Bhk  v T"H @@@B@Bhk  w T"H @@@B@Bhk  x T"H @@@B@Bhk  y T"H @@@B@Bhk  z T"H @@@B@Bhk  { T"H @@@B@Bhk  | T"H @@@B@Bhk  } T"H @@@B@Bhk  ~ T"H @@@B@Bhk   T"H @@@B@Bhk !  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Tg "H @@@B@B"" hr    @ Tg "H @@@B@B"" hr    A Tg "H @@@B@B"" hr    B Tg "H @@@B@B"" hr    C Tg "H @@@B@B"" hr    D Tg "H @@@B@B"" hr    E Tg "H @@@B@B"" hr    F Tg "H @@@B@B"" hr    G Tg "H @@@B@B"" hr    H Tg "H @@@B@B"" hr    I Tg "H @@@B@B"" hr    J Tg "H @@@B@B"" hr    K Tg "H @@@B@B"" hr    L Tg "H @@@B@B"" hr    M Tg "H @@@B@B"" hr    N T1"H @@@B@B"" hr    O T"H @@@B@B h} P T"H @@@B@Bh}  Q T"H @@@B@Bh}  R T"H @@@B@Bh}  S T"H @@@B@Bh}  T T"H @@@B@Bh}  U T"H @@@B@Bh}  V T"H @@@B@Bh}  W T"H @@@B@Bh}  X T"H @@@B@Bh}  Y T"H @@@B@Bh}  Z T"H @@@B@Bh}  [ T"H @@@B@Bh}  \ T"H @@@B@Bh}  ] T"H @@@B@Bh}  ^ T"H @@@B@Bh}  _ T"H @@@B@Bh}  ` T"H @@@B@Bh}  a T"H @@@B@Bh}  b T"H @@@B@Bh}  c T"H @@@B@Bh}  d T"H @@@B@Bh}  e T"H @@@B@Bh}  f T1"H @@@B@B h}  g T1"H @@@B@B h}  h T1"H @@@B@B"" h}    i Tg "H @@@B@B"" h}    j Tg "H @@@B@B"" h}    k Tg "H @@@B@B"" h}    l Tg "H @@@B@B"" h}    m Tg "H @@@B@B"" h}    n Tg "H @@@B@B"" h}    o Tg "H @@@B@B"" h}    p Tg "H @@@B@B"" h}    q Tg "H @@@B@B"" h}    r Tg "H @@@B@B"" h}    s Tg "H @@@B@B"" h}    t T1"H @@@B@B"" h}    u T"H @@@B@B h~ v T"H @@@B@Bh~  w T"H @@@B@Bh~  x T"H @@@B@Bh~  y T"H @@@B@Bh~  z T"H @@@B@Bh~  { T"H @@@B@Bh~  | T"H @@@B@Bh~  } T"H @@@B@Bh~  ~ T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~   T"H @@@B@Bh~ !  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RANKING SYSTEM In taekwondo there are 6 different coloured belts , there are 10 grades between white belt and black belt. 10th kup 9th kup 8th kup 7th kup 6th kup 5th kup 4th kup 3rd kup 2nd kup 1st kup dan grades white belt yellow tags yellow belt green tags green belt blue tags blue belt red tags red belt black tags black belts signifies innocence as that of the beginning student who has no previous knowledge of taekwondo signifies earth from which a plant sprouts and takes root as the foundations of taekwondo are being laid signifies the growing plant as the taekwondo skills begin to develop signifies the heaven towards which the plant matures to a tree as training in taekwondo progresses. signifies danger cautioning the student to exercise control and warning opponents to stay away signifies maturity and proficiency in taekwondo also indicates the wearers imperviousness to fear p 2 p 3 PATTERNS ( POOMSE ) WHAT IS A PATTERN ? A pattern is a series of fundamental movements, mainly attack and defence, set in a logical sequence to deal with one or more imaginary opponents. Patterns are an indication of a students progress, a barometer in evaluating an individuals technique. WHY DO WE PERFORM PATTERNS ? Patterns are performed to improve taekwondo techniques. When practicing students develop flexibility of movement, master body shifting, improve sparring technique, balance and breath control. Patterns enable students to acquire techniques which cannot be obtained from other forms of training. The following points should be adhered to when performing patterns: 1 Correct posture and facing must be maintained at all times 2 Muscles of the body should be tensed or relaxed at the proper critical moments in the exercise 3 The exercise should be performed in a rhythmic motion with the absence of stiffness 4 Each movement should be accelerated or decelerated according to instructions 5 Students should be able to perform a pattern precisely and confidently before moving onto the next pattern in the syllabus 6 Students should know the purpose of each movement 7 Each movement should be separate and sharp and be performed with conviction THE MEANING OF TAEGEUK Taegeuk is the origin of all things in the universe. Tae means enormity or vastness . Geuk means eternity. Taegeuk represents the most profound oriental philosophy from which oriental philisophical views on the world, cosmos and life are derived. Taegeuk has no form , no beginning, no end yet everything comes from taegeuk. Taegeuk is something that contains the essence of everything. No Pattern name No of moves Pattern represents Korean symbol 1 Taegeuk il jang 18 Heaven & light Keon 2 Taegeuk ee jang 18 Joyfullness Tae 3 Taegeuk sam jang 20 Fire & sun Ri 4 Taegeuk sah jang 20 Thunder Jin 5 Taegeuk oh jang 20 Wind Seon 6 Taegeuk yuk jang 23 Water Gam 7 Taegeuk chil jang 25 Mountain Gan 8 Taegeuk pal jang 24 Earth Gon p 4 p 5 GRADING EXAMINATIONS Gradings are held every three to four months; depending on how many classes are attended and how the student is progressing. They are a way of gauging ability in a pressure situation, they provide a sense of achievement and reward for diligent effort and study and are an incentive for the students to set themselves goals and targets as they work their way through the belt colours. An invitation to sit a grading is at the instructors discretion and should be considered an honour, rather than be taken for granted. Students should neither ask for a grading nor decline an invitation to sit a grading, as either will be considered to be showing disrespect for your instructor s opinion and judgement of your ability. Most of the exercises, techniques and routines that are practiced in the class are worked on a systematical basis that will incorporate the grading syllabus and allow the student to cover the full spectrum of taekwondo training, and encourage them to improve at a steady pace towards the  ideal ; in terms of techniques and how perfection is perceived by the examiners under the guidance of the WTF technical committee. COMPETITION TAEKWONDO With the advent of WTF taekwondo becoming a full Olympic sport, a lot more emphasis has been placed on competition taekwondo. Not all students wish to compete, however, all taekwondo students should have a basic understanding of the skills required for, and the rules of competition taekwondo. This will enable them to pass on all aspects of WTF taekwondo should they become instructors of the future. The ability to step smoothly and with speed is of the utmost importance to be able to control the distance between yourself and an opponent. Therefore, competition training involves practicing a lot of stepping techniques, this also enables a Student to develop good stamina and improve balance. Training for competition is different from traditional taekwondo training, therefore to excel at competition aspects the competing student should attend different competition classes. To be a taekwondo champion takes extensive training, sacrifices, commitment and strong spirit and courage. Students must be prepared to travel to tournaments to gain invaluable competition experience. For those who would like to be involved in competition but do not want to compete there are regular refereeing opportunities and courses. Players wear a body protector, head protector, groin guard, shin guards and arm guards. A point is scored either by a full contact punch to the body, a kick to the body or a kick to the head. Matches are officiated by a recorder, a centre referee and three judges. COMPETITION TAEKWONDO MUST BE SEEN AS THE SPORT SIDE OF THE ART AND MUST NOT BE CONFUSED WITH TRADITIONAL TAEKWONDO TRAINING. IT IS A COMPLETELY DIFFERENT CONCEPT AND MUST BE APPROACHED IN A DIFFERENT MANNER. KOREAN TERMINOLOGY TAEKWONDO - The art of destroying with the hand and foot TAE - Foot KWON - Hand or fist DO - Art or way WTF - World taekwondo federation KUKKIWON - WTF headquarters in Seoul, South Korea Counting in Korean THEORY OF POWER force = mass x acceleration Contributing elements of power : 1 reaction force 2 concentration 3 balance 4 breath control 5 speed 6 mass HANA DOOL SET NET DASUT YAUSUT ILGOPE YAUDUL AHOPE YAUL ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE TEN IL EE SAM SAH OH YUK CHIL PAL KOO SIP FIRST SECOND THIRD FOURTH FIFTH SIXTH SEVENTH EIGHTH NINTH TENTH CHARYOT ATTENTION KYONG YE BOW CHOONBI READY SIJAK START GEUMAN STOP DWIRO DORA TURN AROUND BARO RETURN TO START SHI YO RELAX HAESSAN DISMISS GENERAL COMMANDS DOJANG TRAINING HALL DOBOK TRAINING UNIFORM TEE BELT SA BEOM NIM INSTRUCTOR KWAN CHANG NIM MASTER KOOK GIE NATIONAL FLAG POOMSE PATTERN KYUKPA DESTRUCTION OREUN RIGHT WEN LEFT SEOGI STANCE MAKKI BLOCK JIRUGI PUNCH CHIRUGI THRUST CHIGI STRIKE CHAGI KICK INJUN HIGH TARGET - PHILTRUM MYONGCHI MID TARGET - SOLAR PLEXUS GENERAL TERMS P 9 SEOGI STANCE CHARYOT SEOGI ATTENTION STANCE JUNBI SEOGI READY STANCE JOOCHUM SEOGI SITTING (HORSE RIDING) AP SEOGI SHORT (WALKING) STANCE APKOOBI FRONT (LONG) STANCE DWIKOOBI BACK STANCE AP KOA SEOGI FRONT X STANCE DWI KOA SEOGI BACK X STANCE BEOM SEOGI TIGER STANCE PYEONI SEOGI EASE STANCE HAKTARI SEOGI CRANE STANCE MOA SEOGI CLOSED STANCE NARANI SEOGI PARALLEL STANCE OREUN SEOGI RIGHT STANCE WEN SEOGI LEFT STANCE OGEUM SEOGI REVERSE CRANE STANCE TONMILGI JUNBI SEOGI PUSH HANDS READY STANCE KYOPSON JUNBI SEOGI OVERLAP HANDS READY STANCE STANCES P 10 HO GOO BODY PROTECTOR JA WANG WOO ABOUT FACE DEUK JUM POINT KYONG GO WARNING GAM JUM DEDUCTION POINT KALYO BREAK KEY SOK CONTINUE SHIGAN TIME COMPETITION TERMS CHAGI KICK AP CHAGI FRONT KICK YOP CHAGI SIDE KICK DOLYO CHAGI TURNING KICK MIREO CHAGI PUSH KICK CHIGO CHAGI AXE KICK BIT CHAGI 45 DEGREE KICK AP DOLYO CHAGI FRONT TURNING KICK DWI CHAGI BACK KICK GOLCHO CHAGI HOOK KICK BITERO CHAGI TWISTING KICK BANDAE DOLYO CHAGI REVERSE TURNING KICK TWIO CHAGI JUMPING KICK GAWI CHAGI SCISSOR KICK DOOBAL DANGSEONG CHAGI TWO FEET ALTERNATE KICK AN BANDAL CHAGI INWARD CRESCENT KICK BAKAT BANDAL CHAGI OUTWARD CRESCENT KICK MEORUP CHAGI KNEE KICK AP OLIGI RAISING KICK KICKS P 11 BAL FOOT APCHOOK BALL OF FOOT BALNAL OUTSIDE EDGE (FOOTSWORD) DWICHOOK BOTTOM OF HEEL DWIKUMCHI BACK OF HEEL BALDEUNG TOP OF FOOT (INSTEP) BALNALDEUNG INSIDE EDGE OF FOOT BALBADAK SOLE OF FOOT PARTS OF THE FOOT JIRUGI PUNCH YOP JIRUGI SIDE PUNCH CHI JIRUGI UPSET PUNCH SANG CHI JIRUGI TWIN UPSET PUNCH SANG SAWO JIRUGI TWIN VERTICAL PUNCH DOLYO JIRUGI TURNING PUNCH DIGET JIRUGI C SHAPED PUNCH CHETARI JIRUGI FORK SHAPED PUNCH CHIGI STRIKE SONNAL CHIGI KNIFE HAND STRIKE DEUNG JEOMUK CHIGI BACK FIST STRIKE SONNAL DEUNG CHIGI REVERSE KNIFEHAND STRIKE MEI JEOMUK CHIGI HAMMER FIST STRIKE MOK CHIGI NECK STRIKE TEOK CHIGI CHIN STRIKE PALKOOP CHIGI ELBOW STRIKE JABEE POOM MOK CHIGI SWIFT SHAPED NECK STRIKE CHIRUGI THRUST PYONSONKEUT CHIRUGI FINGERTIP THRUST BATANG SON CHIRUGI PALM THRUST AGWISON CHIRUGI ARCHAND THRUST GAWI SONKEUT CHIRUGI SCISSOR FINGER THRUST ATTACKING TECHNIQUES P 12 SON HAND JEOMUK FIST SONNAL KNIFEHAND SONNAL DEUNG REVERSE KNIFEHAND PYEONSONKEUT FINGERTIP AGWISON ARCHAND AP JEOMUK FOREFIST DEUNG JEOMUK BACK FIST MEI JEOMUK HAMMER FIST BAM JEOMUK SINGLE KNUCKLE FIST BO JEOMUK COVERED FIST PARTS OF THE HAND PAL ARM EOGOOL FACE - HIGH SECTION MOMTONG BODY - MID SECTION ARAE GROIN - LOW SECTION AN PALMOK INNER FOREARM BAKAT PALMOK OUTER FOREARM PALKOOP ELBOW DARI LEG MEORUP KNEE SON HAND MEO RI HEAD MOK NECK TEOK CHIN KO NOSE NOON EYE IP MOUTH BAL FOOT PARTS OF THE BODY P 13 MAKKI BLOCK ARAE MAKKI LOW BLOCK MOMTONG MAKKI MIDDLE BLOCK EOGOOL MAKKI HIGH BLOCK AN MAKKI INWARD BLOCK SONNAL MAKKI KNIFEHAND BLOCK GODERO MAKKI GUARDING BLOCK EOTGOREO MAKKI X BLOCK YOP MAKKI SIDE BLOCK AN PALMOK MAKKI INNER FOREARM BLOCK BAKAT PALMOK MAKKI OUTER FOREARM BLOCK HECHYO MAKKI WEDGING BLOCK GAWI MAKKI SCISSOR BLOCK BATANG SON MAKKI PALM BLOCK SONNAL DEUNG MAKKI REVERSE KNIFEHAND BLOCK DOLLIMYO MAKKI CIRCULAR BLOCK NERYO MAKKI DOWNWARD BLOCK BITERO MAKKI TWISTING BLOCK CHUKYO MAKKI LIFTING BLOCK KEUMGANG MAKKI DIAMOND BLOCK SANTEUL MAKKI MOUNTAIN BLOCK WESANTEUL MAKKI HALF MOUNTAIN BLOCK BLOCKING TECHNIQUES P 14 P 15 P 7 P 8 SPARRING ( GYORUGI ) Three step sparring ( sambon gyorugi ) Three step sparring teaches the student many things including proper distance control, correct facing, forearm conditioning, correct blocking, control of stance, counter attacks and timing. Example : Attacker stands right leg back ; front stance - low section block - front stance- high punch 3 times Defender begins from ready stance 1 Step back right foot - back stance - knifehand block 3 times - counter attack front stance mid punch 2 Step back right foot - back stance - twin knifehand block 3 times - counter attack high section fingertip thrust 3 Step back left foot - back stance - inward mid block 3 times - counter attack high side back fist strike One step sparring ( hanbon gyorugi ) This form of sparring is completely different from 3 step sparring. Sweeping techniques, arm locks and joint breaks are also practised. Distance control an timing are of the utmost importance. Attacker starts with right leg back - front stance lower block and attacks once with the right high punch, the attack is then repeated with the left. Defence starts with ready stance. Students should try to put into practice techniques learned during technical sections of classes, demonstrating use of hand, foot and self defence techniques. One for one sparring This type of sparring gives beginners the chance to practice basic kicking techniques whilst facing an opponent. Intermediate and advanced students use it for stamina training. Both students start with right leg back fighting stance. When the command is given one student kicks and immediately after the other student kicks and this continues. When used as stamina training each kick should counter the previous kick. Kicks should never be sloppy, they should be crisp, sharp and well executed. Free sparring Free sparring is putting into practice what has been learned so far, there is no pre warning of attack. If practiced without protective equipment the emphasis should be on control and technique. Full contact is allowed only where adequate protection is worn and only under supervision of a qualified instructor P6 CLUB RULES OBSERVING THE FIRST SIX RULES ARE A FUNDAMENTAL REQUIREMENT OF EACH STUDENT AND INSTRUCTOR , AS THEY SERIOUSLY RELATE TO THE SAFETY OF EACH STUDENT. ANY STUDENT DISREGARDING THESE RULES WILL BE ASKED TO LEAVE THE CLUB IMMEDIATELY . IN THE CASE OF DISREGARD FOR RULE No. 1 THE STUDENT CONCERNED WILL HAVE THEIR NAME SENT TO ALL ASSOCIATION SECRETARIES, IN EFFECT EXCLUDING THEM FROM PRACTISING ANY STYLE OF TAEKWONDO. 1. ANY STUDENT TRAINING OR ATTEMPTING TO TRAIN UNDER THE INFLUENCE OF DRUGS OR ALCOHOL OR EVEN SUSPECTED OF DOING SO WILL HAVE THEIR MEMBERSHIP CANCELLED WITH IMMEDIATE EFFECT. 2. ANY STUDENT WHO REPEATEDLY USES DELIBERATE EXCESSIVE FORCE WHILE TRAINING WITH PARTNERS WILL BE ASKED TO LEAVE THE CLUB 3. ANY OTHER DELIBERATE ACTION BY ANY STUDENT THAT CONSTITUTES A BLATANT DISREGARD FOR THE SAFETY OF ANOTHER STUDENT WILL BE ASKED TO LEAVE THE CLUB 4. DISRESPECT OR ANY ACTION PERCEIVED BY THE INSTRUCTOR TO BE DISRESPECTFUL EITHER VERBALLY OR PHYSICALLY TOWARDS ANY STUDENT OR THE INSTRUCTOR WILL NOT BE TOLERATED UNDER ANY CIRCUMSTANCES AND WILL RESULT IN EXPULSION FROM THE CLUB 5. ANY THEFT FROM ANOTHER STUDENT WILL RESULT IN EXPULSION 6. ANY FORM OF INTIMIDATION OR BULLYING TOWARDS ANOTHER STUDENT WILL RESULT IN EXPULSION. 7. ANY STUDENT WHO SERIOUSLY CRITICISES THE MARTIAL ART OF TAEKWONDO IN PUBLIC MUST CONSIDER THEIR POSITION WITHIN THE CLUB AS OTHER MARTIAL ARTS ARE AVAILABLE SHOULD THEY CHOOSE NOT TO PROMOTE TAEKWONDO POSITIVELY 8. SERIOUS CRITICISM IN PUBLIC OF EXAMINERS, INSTRUCTORS OR SENIOR GRADE STUDENTS RELATING TO TAEKWONDO MATTERS WILL RESULT IN DISCIPLINING 9. ANY CRITICISM OF CLASS STRUCTURES, TRAINING METHODS OR ANY OTHER MATTERS RELATING TO CLASSES OR TRAINING SHOULD BE ADDRESSED TO THE INSTRUCTOR IN PRIVATE 10. ALL JEWELLERY MUST BE REMOVED BEFORE EVERY CLASS 11. TOE NAILS MUST BE CUT SHORT TO AVOID INJURIES 12. ONLY APPROVED FOOTWEAR WILL BE ALLOWED DURING CLASS 13. ANYONE WHO CANNOT PAY TRAINING FEES ON TIME SHOULD INFORM THE INSTRUCTOR 14. NO WEARING OF ANY FOOTBALL STRIPS WHEN A UNIFORM IS NOT AVAILABLE 15. INVITATIONS TO GRADINGS WILL DEPEND ON ATTENDANCE AND TECHNICAL ABILITY AND WILL BE AT THE INSTRUCTORS DISCRETION OVERVIEW Taekwondo is a form of ancient unarmed combat practised for many centuries in the orient . Taekwondo became perfected in its present form in Korea. Translated : tae means to jump , kick or smash with the foot.  kwon means to punch or destroy with the fist.  do is the art , method or way . Taekwondo involves the skilled application of punches , kicks, strikes, blocks and interception techniques to the rapid destruction of the opponent. To the Korean people taekwondo is more than merely the use of skilled movements. It also implies a way of life and thinking, particularly in instilling a concept and spirit of strict self-imposed discipline and an ideal of noble morality. In these days of intimidation and violence which seems to plague our modern society , taekwondo enables the weak to posses a fine weapon to defend themselves and defeat their opponents. When wrongly applied it can be a lethal weapon THE TENETS OF TAEKWONDO Courtesy (ye ui) = to be polite to ones instructor , seniors and fellow students Integrity (yom chi) = to be honest with oneself. to be able to define right and wrong Perseverance (in nae) = to achieve a goal, whether it is a new technique or a higher grade, to never give up. Self control (kuk chi) = to lose your temper when performing techniques against an opponent can be very dangerous and shows lack of self control. To be able to live, work and train within your capabilities shows good self control. Indomitable spirit (baekjul boolgool) = to show courage when you and your principles are pitted against overwhelming odds. TAEKWONDO OATH As a student of taekwondo : I shall observe the tenets of taekwondo I shall respect my instructor and seniors I shall never misuse taekwondo I shall be a champion of freedom and justice I shall build a more peaceful world TECHNICAL BOOKLET NOTES Martin Hold 5th Dan SOKCHO TAEKWONDO SCOTLAND ,p1TSH Normal (Web)<q1TSHG ""$$h ,9"D "@08n$h ," "  *0PGq1TSH 0@kwondo became perfected in its present form in Korea. Translated : tae means to jump , kick or smash with the foot.  kwon means to punch or destroy with the fist.  dSDFj|* :<F t n   4   . > @ P ` b r   , B D X l n TV>ln2:BjltVRv..24b8pjlr  4 > D d j !!!!>&>:>L>T>d>p>|>>>>>>>>??"?2?T?b?~??????? @@*@F@T@d@r@@@@@@@@@@@AAA*A8ADANAZAAAAAAABB*BLBdB~BBBBCC@CRCjCCCCCCRC D$D$>&>8>:>J>L>R>T>b>d>n>p>z>|>>>>>>>>>>>>>>>???? ?"?0?  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